Steph Waller
writes to

   


Louis Armstrong

     
   

Improvisational Skills

   

Dear Mr. Armstrong,

I grew up in a musical family during the 50s and 60s, my dad being a Dixieland drummer for over 50 years. I've heard your music, and have watched you on TV, for as long as I can remember. I want to thank you for the influence you've had on my own musicianship, because it was from you that I learned the love of improvisation. But I learned a lot more: from you I learned that music happens first in the heart and radiates from there.

My question is this: How important do you think improvisational skills are, and why does this art seem to be going out of style?

Thank you so much, Mr. Armstrong,

Steph Waller


Hey Steph,

I'm always blown away when cats come to me from all over and talk to me about their musicianship and all that kind of stuff and my influence on it when all I did was to blow my horn and do my things right. There is never complete improvisation. That is an overrated bit to say that. It is more like, composition in the head, see what I'm saying. The notes are in your head rather than on no sheet and when you're playing they go out. There is more variation than improvisation and to say that Jazz is improvisation is a very incomplete and almost kind of unfair thing to say.

I dunno what out-o-style may mean, but as long as there will be suffering negroes or lookalikes on that vast planet, there will be music coming from work and the heart and no out-o-stylity will impose itself on the world.

Keep on a playin'
Satchel Mouth